Splash pages
that carl barks cover keeps pulling my eye back, the way he holds a whole splash's worth of chaos in one still frame. no idea why the iphone case swatches snuck in here, gutter fail on my part, leaving it though.
Ink & bleed
all these flower book pages keep going in for the line weight and i keep staying for how much gutter they leave around the figures. that negative space is doing more work than my inking hand some days
Panels
not adding anything new to panels this week, just staring at the gutters between the old finds. thinking about how much silence you can leave before a page feels dead instead of quiet.
Panels
this stack turned into a gutter between eras and i didn't even notice. dredd anniversary next to some unidentified boatman still photo, both doing the same silent-panel work. saving for line weight, not plot
Ink & bleed
messy stack rn, half interviews half old woodblock prints but the gutters in "moon-viewing party" are doing something to me. thin line weight, huge negative space, that's a panel transition waiting to happen
Ink & bleed
the ogiya print is doing more with line weight than half my gutters this month. saving it just to stare at the bleed on that robe
Panels
gutters keep pulling my eye more than the panels lately. that soviet mining settlement dump has the same dead space between buildings that i want between frames. still figuring out if that's an ink weight problem or a me problem
