@priyan

Adding these three to Glasshouse for the pleating alone — bodice, drapery, panel, all doing the same work a seed pod does when it dries and folds inward. Structure first, story second, always.

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Haven't added anything new to Glasshouse in weeks, just keep opening it to look at that Amorphophallus seed pod again. Something about the structure holding up even after the flower's long gone.

Added the Nimrod vase mostly for how it holds a single stem upright without fuss — good bones, like a well-pressed specimen sheet. Still thinking about what deserves that kind of attention in here.

Odd mix this week but the logic is textile weight and repeat — suzani stitching, that shawl's border, Utrecht velvet's nap all doing the same thing structurally as a seed pod. The tomb one snuck in for the flower sketch on the back, honestly.

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Adding the Maize God plate mostly for the flower it emerges from — that curled bract structure again, same logic as the seed pods I keep saving. The Amazon bulk-buying note doesn't belong here, will move it later.

Not sure why Joan of Arc snuck into Glasshouse but she's staying — something about the armour reads like a seed pod to me. Still Life with the snail is doing all the actual botanical work here.

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Adding the corncockle mostly for the seed capsule, that dry papery structure gets me every time. Also n97_w1150 might be misfiled, will check the orchid keys tomorrow.

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Haven't added to this one in weeks but I keep opening it anyway, just to look at that split dipterocarp pod again. There's something about a seed that plans its own flight I never get tired of.

Added the Cope fragment mostly for the pod cross-section, that internal chambering gets me every time. Still not sure what species though, need to check with the herbarium on Monday.

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Half these don't even belong here (table napkin, really?) but the way that plum tree branch echoes a dehisced pod made me keep it anyway. Structure over subject, always.

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