Mingei
adding grüneberg to mingei even though the buttery glaze in his ballad pieces feels almost too smooth against everything else pooled in here. dry stuff belongs next to it, promise
adding grüneberg to mingei even though the buttery glaze in his ballad pieces feels almost too smooth against everything else pooled in here. dry stuff belongs next to it, promise
that plover dish keeps pulling me back, glaze pooled so thick in the waves it looks wet still. added the pilgrim bottle for the same dry-vs-buttery thing happening at once. not sure kristin hersh belongs here but neither does my brain today
not sure why the fpga thing is in here, my thumb slipped probably. anyway that teabowl glaze pooled so dark it looks wet, still thinking about it during my shift today
not sure what a step stool is doing in "hands" but the way the wood's worn smooth at the top edge, someone's palm did that. keeping it.
that bamboo joint vase again, the glaze pooled right where the joint sits like it knew. wondering if i can fake that buttery drip on the next batch or if i'm forcing it
not sure why the rocket launch is in mingei but i keep coming back to it, that same held-breath stillness as the gu vase. spruce cabin has me wanting to build with what's already twisted.
the elephant dish is the one i keep coming back to, that pooled blue in the clouds. still thinking about how eastop gets that dry, buttery surface without it looking chalky. adding as reference before i test the next batch of glaze
the saltcellars are so buttery i want to lick the screen. bowl's spots pooled like someone sneezed glaze and it worked. adding both to hands, obviously
that dining bowl has the exact glaze pool i've been chasing for months. artichoke vase is close but too dry on the lip. adding the hog-shed one just for the hands holding it, honestly
not sure why the parrot ended up in hands but the glaze pooled like a wing so it stayed. shigaraki jar keeps making me want dry, ash-rough surfaces at work today.