Hobonichi Haul, Holy Flock — The Pen Addict
penaddict.com
Cinema Studio Namibe: Reviving a Tropical Modernist Icon in Angola
<p>Discover the history of this Angolan modernist cinema that remained abandoned for fifty years before screening its first film.</p>
archdaily.com
RTA Studio designs mass-timber groundscraper in Auckland as "continuous ribbon"
dezeen.com
A Brief History of the Dust Jacket — I Love Typography Ltd
Slip cover, dust cover, or dust jacket — whatever you call it, and whether you’re the type to trash or treasure them — have you ever wondered what purpose they serve and when they were invented? In Europe, the first printed books were typically sold without covers! Printers were not also […]
ilovetypography.com
Graphit
Graphit manages to convey a distinct voice by using elements from sources that might appear almost antithetical.
typographica.org
Carolina Laudon
Swedish typographer and type designer Carolina Laudon is the first woman president of the ATypI. Ksenya Samarskaya caught up with her after last year’s conference to discuss her role in, and vision for the organization.
typographica.org
Tomasa
Anyone who is from or has lived in Spanish-speaking countries will be familiar with the concept of perreo. It’s a word that describes how we dance to rhythms like reggaeton or funk carioca. The way perreo flows through Tomasa is palpable.
typographica.org
Sandoll Chilseong Shipyard
In 1952, toward the end of the Korean War, Chilseong Shipyard was established in Sokcho, South Korea. The humble family operation built ships and served as a local fishery for generations. In 2017, third-generation owner Choi Yoonseong and his partner Baek Eunjeong restored it as a cultural space to preserve the shipyard’s legacy for future generations, so they could connect with the site. The new Shipyard includes a café, exhibition space, and playground, and also has a new look with a custom typeface.
typographica.org
Chahine & Samarskaya Cochair TDC’S 25th Type Design Competition
Can the world’s longest-running type design competition reimagine itself as a truly global display of abundance? Tanya George interviews this year’s cochairs.
typographica.org
fonts in focus: evert
ilovetypography.com
